|  | Here is the walnut "blank." It consists of eight walnut sections. Outer and Inner diameters have been turned to within 1/8" of final dimension. | 
        
            |  | I begin creating the shoulder to fit the tonering. | 
        
            |  | Flattening the leading edge. | 
        
            |  | Checking the gap between the tone ring and the shoulder. | 
        
            |  | The tonering is fitting nicely for the diameter. Later I will trim the height to make sure it is seated properly. I now take a feeler guage to set the lathe to cut to within a few thousandths of final outer diameter. This is within "sanding range" of final dimension. | 
        
            |  | Turning to near final dimension. | 
        
            |  | Time to fire up the bending iron so I can bend the maple for the bracket band. | 
        
            |  | Bending a curly maple strip with heat and moisture. | 
        
            |  | I rout a channel for the maple bracket band and check the fit. | 
        
            |  | Clamping the maple bracket band. | 
        
            |  | In between this picture and the previous, I have inlaid rosewood and maple vertical strips at the block joins. | 
        
            |  | This is a registration jig and punch. I place the tension hoop at the bottom of the rim and use the notches to register the position of the bracket holes. The punch marks the spot. | 
        
            |  | After drilling bracket holes, I capped the bottom of the rim in curly maple. Now I am cutting a channel for purlfling. | 
        
            |  | Fitting the purfling in the groove. I like Elmer's School glue because it is thin and dries transparent. | 
        
            |  | Hardware and head in place. Ready to sell. Top view. | 
        
            |  | Bottom view. |